Nella mia attrezzaturaShure Beta 57A
Recensioni degli utenti:
Prezzo al pubblico :
NC
Prezzo medio :
NC
Media prezzo usato :
-
Shure Beta 57A : Recensione di James...
" Grande per tutto"
()
Caratteristiche
Tipo di microfono Dinamico
Modello polare supercardioide
Risposta in frequenza 50Hz016kHz
Impedenza 150 Ohm
Lunghezza 6,23 "
Larghezza 1,69 "
Profondità di 1,69 "
Peso 0,6 £.
Numero di produttore dell'articolo BETA 57A
Modello polare supercardioide
Risposta in frequenza 50Hz016kHz
Impedenza 150 Ohm
Lunghezza 6,23 "
Larghezza 1,69 "
Profondità di 1,69 "
Peso 0,6 £.
Numero di produttore dell'articolo BETA 57A
Microphone Type Dynamic
Polar Pattern Supercardioid
Frequency Response 50Hz016kHz
Impedance 150 ohms
Length 6.23"
Width 1.69"
Depth 1.69"
Weight .6 lbs.
Manufacturer Part Number BETA 57A
Polar Pattern Supercardioid
Frequency Response 50Hz016kHz
Impedance 150 ohms
Length 6.23"
Width 1.69"
Depth 1.69"
Weight .6 lbs.
Manufacturer Part Number BETA 57A
Opzioni Generali
Io in realtà comprato questo microfono da utilizzare come un microfono cabina chitarra inizialmente. Ero micing in una situazione dal vivo con un Suhr Badger amplificatore e un cubo Bogner 1x12 cabina. Niente di speciale davvero. Funziona meravigliosamente a tale scopo. Non ha i medi scomoda che l'SM57 e Beta 58 fare. Ma come ho posseduto questo microfono nel corso degli anni ho imparato che lo fa molto di più di micing altoparlante. Un giorno ho avuto problemi con il mio beta 58 raccogliere tonnellate di rumore palco. Provato un SM58. Non suona bene con la mia voce. Provato un paio di microfoni Cad dinamico. Suonava bene, ma reimmessa alcuni. Infine, dato altra scelta ho deciso di mettere i miei 57 Beta lassù per calci. Non solo è impermeabile alla fase rumore, ma non ho avuto l'eq affatto. E 'appena suona naturalmente molto bene alla mia voce. Da allora ho provato su di tutto. Cantanti? Grande. Rullante? Sorprendentemente impressionante e mette un SM57 per vergogna. Sax? Si fa anche questo.
Mi spingerei a dire che se dovessi scegliere di avere un microfono per il resto della mia carriera live show, sarebbe questo. Dico sul serio di questo. Eccelle proprio in tante applicazioni. E mai e poi mai i picchi fuori da elevati volumi e sembra sempre di suono molto ampio e aperto non importa quale.
La mia unica lamentela è che non è molto utile nello studio, al di fuori di monitoraggio voce molto aggressiva e forse alcune parti di chitarra super-forte. Ma tutto il resto è top. Mai avuto problemi tecnici nonostante veramente abusando di alcune di queste.
Mi spingerei a dire che se dovessi scegliere di avere un microfono per il resto della mia carriera live show, sarebbe questo. Dico sul serio di questo. Eccelle proprio in tante applicazioni. E mai e poi mai i picchi fuori da elevati volumi e sembra sempre di suono molto ampio e aperto non importa quale.
La mia unica lamentela è che non è molto utile nello studio, al di fuori di monitoraggio voce molto aggressiva e forse alcune parti di chitarra super-forte. Ma tutto il resto è top. Mai avuto problemi tecnici nonostante veramente abusando di alcune di queste.
I actually bought this mic to use as a guitar cab mic initially. I was micing in a live situation with a Suhr Badger amp and a Bogner 1x12 cube cab. Nothing really fancy. It works wonderfully for that purpose. It doesn't have the awkward midrange that the sm57 and beta 58 do. But as I have owned this mic over the years I've learned that it does a lot more than speaker micing. One day I was having problems with my beta 58 picking up tons of stage noise. Tried an sm58. Didn't sound right with my voice. Tried a couple of Cad dynamic mics. Sounded good but they fed back some. Finally, given no other choices I decided to put my Beta 57 up there for kicks. Not only is it impervious to stage noise but I didn't have to eq it at all. It just naturally sounds very good on my voice. Since then I've tried it on about everything. Female singers? Great. Snare drum? Suprisingly awesome and puts an sm57 to shame. Sax? Yes it does that too.
I would go as far to say that if I had to choose one mic to have for the rest of my live show career, it would be this one. I'm serious about that. It just excels in so many applications. It never ever peaks out from high volumes and it always seems to sound very wide and open no matter what.
My only complaint is that it isn't terribly useful in the studio, outside of tracking very aggressive vocals and maybe some super loud guitar parts. But everything else about it is tops. Never had any technical issues despite really abusing a few of these.
I would go as far to say that if I had to choose one mic to have for the rest of my live show career, it would be this one. I'm serious about that. It just excels in so many applications. It never ever peaks out from high volumes and it always seems to sound very wide and open no matter what.
My only complaint is that it isn't terribly useful in the studio, outside of tracking very aggressive vocals and maybe some super loud guitar parts. But everything else about it is tops. Never had any technical issues despite really abusing a few of these.
Original English text: Great for everythingCharacteristics
Microphone Type Dynamic
Polar Pattern Supercardioid
Frequency Response 50Hz016kHz
Impedance 150 ohms
Length 6.23"
Width 1.69"
Depth 1.69"
Weight .6 lbs.
Manufacturer Part Number BETA 57A
Polar Pattern Supercardioid
Frequency Response 50Hz016kHz
Impedance 150 ohms
Length 6.23"
Width 1.69"
Depth 1.69"
Weight .6 lbs.
Manufacturer Part Number BETA 57A
Overall Opinion
I actually bought this mic to use as a guitar cab mic initially. I was micing in a live situation with a Suhr Badger amp and a Bogner 1x12 cube cab. Nothing really fancy. It works wonderfully for that purpose. It doesn't have the awkward midrange that the sm57 and beta 58 do. But as I have owned this mic over the years I've learned that it does a lot more than speaker micing. One day I was having problems with my beta 58 picking up tons of stage noise. Tried an sm58. Didn't sound right with my voice. Tried a couple of Cad dynamic mics. Sounded good but they fed back some. Finally, given no other choices I decided to put my Beta 57 up there for kicks. Not only is it impervious to stage noise but I didn't have to eq it at all. It just naturally sounds very good on my voice. Since then I've tried it on about everything. Female singers? Great. Snare drum? Suprisingly awesome and puts an sm57 to shame. Sax? Yes it does that too.
I would go as far to say that if I had to choose one mic to have for the rest of my live show career, it would be this one. I'm serious about that. It just excels in so many applications. It never ever peaks out from high volumes and it always seems to sound very wide and open no matter what.
My only complaint is that it isn't terribly useful in the studio, outside of tracking very aggressive vocals and maybe some super loud guitar parts. But everything else about it is tops. Never had any technical issues despite really abusing a few of these.
I would go as far to say that if I had to choose one mic to have for the rest of my live show career, it would be this one. I'm serious about that. It just excels in so many applications. It never ever peaks out from high volumes and it always seems to sound very wide and open no matter what.
My only complaint is that it isn't terribly useful in the studio, outside of tracking very aggressive vocals and maybe some super loud guitar parts. But everything else about it is tops. Never had any technical issues despite really abusing a few of these.
