Recensioni Electro-Voice RE20 ( 9/10) - 0 recensioni

In tutto il mondo, 15 dei nostri utenti hanno votato questo prodotto : 9.1/10

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LInguaggio	Membro	Caratteristiche1	Opzioni Generali2
	mooseherman
	moosers
	webstersays

• 1↑. Che tipo di microfono? (live, recording, mixed...) Quale tecnologia? (elettrete, condensatore..)
• 2↑. Cosa ti piace di più e cosa di meno di questa? Hai provato molti altri modelli prima di trovare questo? Qual è la tua opinione sul rapporto qualità/prezzo? Sapendo allora ciò che sai adesso rifaresti la stessa scelta?... Precisione e qualità del suono?

• 08/06/09

  REcensione di mooseherman ( traduzione ) migliora questa traduzione

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  Caratteristiche

  This is a dynamic microphone that can be used in both live and studio settings, though I admittedly have only used it myself in a studio. I have however, played shows where the sound guys have used it on bass amps, and as far as I could tell it worked great. They are pretty versatile but they are best known as vocal mics. Radio stations have used them for years. I don't know much about that world, but I do know that they are designed for vocal use. They also work well on kick drums, bass amps, and other applications.

  Opzioni Generali

  I guess the best quality of this microphone is it's reliability. While it's rarely the best choice in a studio for vocals, it will suffice in most situations. I tend to prefer large diaphragm condenser mics when recording vocals, but I have heard from colleagues that this mic has worked wonders for them. Hearing the results that they achieved, I'd have to agree. I guess I simply didn't have the kind of sessions that they did. I personally prefer what it can do with drums and bass. The mic is great for bass amps, and was my go-to mic for quite a while, until I expanded my collection and started working at a studio where they had more mics. Kick drums also sound pretty great with this, especially when used in tandem with an AKG D112. I once tried it as an overhead mic just for fun, and surprisingly, it worked rather well. It gave the drums a fatter, thicker sound that made them sound sort of vintage. This might not be what you're looking for most of the time, but it's still pretty cool.
  
  
  
  Something I particularly like about this mic is it's ability to reduce noise and bleed. I once recorded drums and electric guitar in the same room, and this mic was hands down the best at reducing bleed from the guitar (I used it on kick drum). I've also had good luck with it not picking up extraneous sounds in vocal booths (some mics pick up annoying clicks and people moving in the booth, this is usually not the issue with this microphone). It's very durable, too, as many people have said, although I would still be careful with it, simply because it could potentially never break on you, unlike most gear in general.
  
  
  
  Given how inexpensive it is, any beginning engineer or anyone with a low budget should make this one of their first investments. The usefulness and quality of sound belie it's cheap price. I would highly recommend it to anybody who doesn't already have it.
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• 29/01/09

  REcensione di moosers ( traduzione ) migliora questa traduzione

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  Caratteristiche

  The Electrovoice RE20 is a dynamic microphone that I have used both in the recording studio and the live setting. They are famous for being used in radio booths as a vocal mic, but will work great for a number of different applications including as a vocal microphone for singers, on kick drum (inside or out) or a bass guitar amp. The most useful of these applications has to be for any sort of vocal, as they are designed for use with the human voice. They are great at blocking outside noise when a person sings or talks right up on the grill of the microphone. It also has a roll off switch which can prove to be quite helpful in certain situations.

  Opzioni Generali

  I've been using RE20s for about three years and they not only sound great but are incredibly sturdy and well built. This guy is strong and well protected and I don't think they could be broken very easily, even if it was dropped. With every mic it depends on what you are looking to achieve with it, but the RE20 will provide any recording engineer with a number of effective uses for it. The best part about the RE20 is the price, as it would be hard to find a better bang for your buck in terms of microphones. The only other dynamic mic in the price range that I would rather have is a Shure SM7, but the RE20 is a fine selection. I would only choose the SM7 over the RE20 because of how good it sounds on male vocals, while the RE20 is probably better for all around vocals and speech. If you're looking for crisp vocals in a live or recording setting where you need to block out noise, the RE20 is the way to go.

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• 18/08/08

  REcensione di webstersays ( traduzione ) migliora questa traduzione

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  Caratteristiche

  This microphone is a classic dynamic cardiod microphone. It is used for a lot of recording applications. I have seen studios that use it for almost every kind of drum, for guitar cabinets, for vocals (though rarely), and even for other things like maracas. It is also an extremely common microphone that people use for broadcasting. If you have ever watched a televised radio show, there's a very good chance that this is what they are talking into.

  Opzioni Generali

  I have seen this mic around and have used it various places for many years. It is not a new mic, but it has definitely stood the test of time because it is still in heavy use today after all these years. I like that it's got a very distinct sound. It's a dynamic mic so it isn't too trebly. It rolls off the low end so it is good for combatting proximity effect. That is probably a reason it is so common in broadcast where people are talking right up to the grill of it and there are a lot of plosives in their speech. It handles transients very well so people like to use it on drums a lot of the time. Even though it rolls off low end, it still manages to make kick drums sound nice and bassy. My guitarist likes to use this in combination with a condenser mic in the studio to record his guitar amp. A couple of negative things is that they have a fixed polar pattern, so that limits your options. Also this is not a very bright sounding microphone, so it is not that well suited to a lot of things that have a lot of high pitched sound. I have seen a lot of microphones, and this one is a classic. Most studios I have been to had at least one, it seems like it's a staple. They are not very expensive relatively, so they are definitely a good value.

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