PRS [SE Signature Series] SE Bernie Marsden - Vintage Sunburst
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PRS [SE Signature Series] SE Bernie Marsden - Vintage Sunburst : Recensione di tjon901
" Un bel singlecut SE che sembra essere una firma"

Caratteristiche
Bernie Marsden è stato uno dei primi chitarristi a Whitesnake. E 'stato nuovamente attivo da poco e ora ha una firma PRS mdoel. Questo è il modello PRS SE Bernie Marsden. In un primo momento non avevo capito si trattava di una chitarra firma. Non ha le marcature pazzi su di esso ho pensato che fissa il layout di controllo sul PRS SE Singlecut normale. Detto questo ci arent molte differenze tra questo modello e la normale PRS SE Singlecut ma tutte le modifiche rendono la chitarra migliore a mio parere. La chitarra ha un corpo in mogano con un top in acero. La parte superiore ha un impiallacciatura di acero fiammato su di esso che è piuttosto bella. La chitarra ha un manico in mogano set con una versione modificata del profilo largo grasso. E 'un po' più grasso e basato su una delle chitarre Bernies personali. Up in alto sulla paletta ci sono sintonizzatori stile meccaniche Kluson che bloccano, ma non tenere tuning bene. Il ponte è il ponte in stile PRS avvolgente che funziona bene. I pickup sono normali humbuckers PRS in un modello Zebra. I controlli sono in un layout più tradizionale. Il selettore pickup è l'incontro superiore ed i controlli sono costituiti da due manopole del volume e un tono master.
Bernie Marsden was one of the early guitar players in Whitesnake. He has been active again recently and now has a PRS signature mdoel. This is the PRS SE Bernie Marsden model. At first I didnt realize this was a signature guitar. It doesnt have any crazy markings on it I just thought they fixed the control layout on the normal PRS SE Singlecut. That being said there arent many differences between this model and the normal PRS SE Singlecut but all the changes make the guitar better in my opinion. The guitar has a mahogany body with a maple top. The top has a flamed maple veneer on it which is quite nice. The guitar has a set mahogany neck with a modified wide fat profile. It is a bit fatter and based on one of Bernies personal guitars. Up top on the headstock there are Kluson style tuners that are non locking but hold tuning well. The bridge is the PRS Wraparound style bridge that works fine. The pickups are normal PRS humbuckers in a Zebra pattern. The controls are in a more traditional layout. The pickup selector is on the upper bout and the controls consist of two volume knobs and a master tone.
Facilità d'uso
Queste chitarre PRS importazione hanno funzioni straordinarie e sentire per il prezzo. Questa chitarra ha un aspetto più tradizionale di alcuni degli altri PRS Singlecuts. Il collo è bello e robusto come una vecchia Les Paul. Le meccaniche sono stile vintage stile vintage ma in possesso di messa a punto molto meglio di veri e propri pickup vintage. Il ponte è il design avvolgente PRS, ma hanno raffinato il ponte nel corso degli anni e funziona benissimo. L'intonazione sul ponte è perfetta con la chitarra. La chitarra ha una scala 24,5 pollici che offre uno stile più Gibson sentire bene. Per aggiungere alla più tradizionale sentire la chitarra è a tutto spessore come si farebbe salire su una vera e propria Les Paul.
These import PRS guitars have great features and feel for the price. This guitar has a more traditional feel than some of the other PRS Singlecuts. The neck is nice and chunky like an old Les Paul. The vintage style tuners are vintage style but hold tuning a lot better than real vintage pickups. The bridge is the wraparound PRS design but they have refined the bridge over the years and it works great. The intonation on the bridge is perfect with the guitar. The guitar has a 24.5 inch scale which gives you a more Gibson style feel as well. To add to the more traditional feel the guitar is full thickness like you would get on a real Les Paul.
Suono
I pickup di questa chitarra sono niente di speciale, ma ottenere il lavoro fatto. Per i loro modelli di importazione usa PRS almeno una delle tutte decente intorno pickup. Non so quale modello specifico di questi pickup sono ma hanno un tono molto vecchia scuola a loro. Sono uscita di media e hanno un buon boccone per loro. I pickup ripulire grande e sono molto sensibile al tocco. Hanno grandi dinamiche per non pickups nome. Il pickup al ponte ha un po 'di morso ad esso. Se si gioca con la manopola del volume è possibile ottenere toni piacevoli da sporco da pulire. Giocare in Whitesnake Bernie si sa ha bisogno di un buon suono pesante. Questi possono fare un buon tono rock classico ma anche avere un buon tono generale a loro. Il pickup al manico ha un bel tono di stile bluesy PAF ad esso. Funziona bene con il ponte.
The pickups in this guitar are nothing special but they get the job done. For their import models PRS uses some decent all around pickups. I dont know what specific model these pickups are but they have a very old school tone to them. They are medium output and have a good bite to them. The pickups clean up great and are very touch sensitive. They have great dynamics for no name pickups. The bridge pickup has a bit of bite to it. If you play with the volume knob you can get nice tones from dirty to clean. Playing in Whitesnake you know Bernie needs a good heavy sound. These can do a good classic rock tone but also have a good overall tone to them. The neck pickup has a nice PAF style bluesy tone to it. It works well with the bridge.
Opzioni Generali
Questo è il tipo di chitarra buona firma. Bernie gioca in realtà questi a differenza di molti testimonial PRS. Molti di loro hanno modelli PRS SE firma, ma giocare il modello made in USA. Bernie dice che questa chitarra è assolutamente bene e lui con essa concerti. Non ha le marcature pazzi su di esso che lo rendono spiccano due. Proprio la firma di Bernie Marsden sulla paletta. Les Pauls hanno tutti firme sulla loro paletta così una firma sulla paletta c'è niente da arrabbiarsi. Queste chitarre sono molto ben ragionevoli anche a soli circa 600 dollari. Questi possono competere molto bene con Gibsons standard in misura ed il rivestimento e la giocabilità.
This is the good kind of signature guitar. Bernie actually plays these unlike a lot of PRS endorsers. A lot of them have PRS SE signature models but play the made in the USA model. Bernie says this guitar is absolutely fine and he gigs with it. It does not have any crazy markings on it that make it stand out either. Just the Bernie Marsden signature on the headstock. Les Pauls all have signatures on their headstock so a signature on the headstock is nothing to get mad about. These guitars are very well priced too at only about 600 dollars. These can compete very well with Standard Gibsons in fit and finish and playability.
Original English text: A nice SE singlecut that happens to be a signatureCharacteristics
Bernie Marsden was one of the early guitar players in Whitesnake. He has been active again recently and now has a PRS signature mdoel. This is the PRS SE Bernie Marsden model. At first I didnt realize this was a signature guitar. It doesnt have any crazy markings on it I just thought they fixed the control layout on the normal PRS SE Singlecut. That being said there arent many differences between this model and the normal PRS SE Singlecut but all the changes make the guitar better in my opinion. The guitar has a mahogany body with a maple top. The top has a flamed maple veneer on it which is quite nice. The guitar has a set mahogany neck with a modified wide fat profile. It is a bit fatter and based on one of Bernies personal guitars. Up top on the headstock there are Kluson style tuners that are non locking but hold tuning well. The bridge is the PRS Wraparound style bridge that works fine. The pickups are normal PRS humbuckers in a Zebra pattern. The controls are in a more traditional layout. The pickup selector is on the upper bout and the controls consist of two volume knobs and a master tone.
Utilization
These import PRS guitars have great features and feel for the price. This guitar has a more traditional feel than some of the other PRS Singlecuts. The neck is nice and chunky like an old Les Paul. The vintage style tuners are vintage style but hold tuning a lot better than real vintage pickups. The bridge is the wraparound PRS design but they have refined the bridge over the years and it works great. The intonation on the bridge is perfect with the guitar. The guitar has a 24.5 inch scale which gives you a more Gibson style feel as well. To add to the more traditional feel the guitar is full thickness like you would get on a real Les Paul.
Sounds
The pickups in this guitar are nothing special but they get the job done. For their import models PRS uses some decent all around pickups. I dont know what specific model these pickups are but they have a very old school tone to them. They are medium output and have a good bite to them. The pickups clean up great and are very touch sensitive. They have great dynamics for no name pickups. The bridge pickup has a bit of bite to it. If you play with the volume knob you can get nice tones from dirty to clean. Playing in Whitesnake you know Bernie needs a good heavy sound. These can do a good classic rock tone but also have a good overall tone to them. The neck pickup has a nice PAF style bluesy tone to it. It works well with the bridge.
Overall Opinion
This is the good kind of signature guitar. Bernie actually plays these unlike a lot of PRS endorsers. A lot of them have PRS SE signature models but play the made in the USA model. Bernie says this guitar is absolutely fine and he gigs with it. It does not have any crazy markings on it that make it stand out either. Just the Bernie Marsden signature on the headstock. Les Pauls all have signatures on their headstock so a signature on the headstock is nothing to get mad about. These guitars are very well priced too at only about 600 dollars. These can compete very well with Standard Gibsons in fit and finish and playability.
Nella mia attrezzatura